About us

The Art Loss Register (ALR) holds the world’s largest private database of lost, stolen and looted art, antiques and collectibles, currently listing more than 700,000 items. Items are added to this database on behalf of the victims of looting or theft, insurers, police forces and others. Our database is then utilised to offer a due diligence service to clients in the art market who wish to ensure that they are working with items to which no claim will arise. This provides an invaluable risk management tool to our searching clients. Through searching it is also possible to identify stolen items and other claimed works as they move through the art market and to secure their recovery for the claimant.

All of our services are offered free of charge to law enforcement agencies and nation states.

Our history

The Art Loss Register (ALR) was established in London in 1990. Our founding shareholders included major businesses from the insurance industry and art market. Satellite offices were subsequently opened in New York, Cologne, Amsterdam and Paris to cater to growing client bases in these countries. In January 2010, we  consolidated the regional offices in to one central, international office, run from London.

The ALR’s origin was The International Foundation for Art Research (IFAR), a not-for-profit organisation based in New York. In an attempt to deter international art theft, IFAR established an art theft archive in 1976 and began publishing the “Stolen Art Alert”.

What we do

We offer three main areas of services:

  • Search – Check objects with the ALR database to demonstrate due diligence, to prevent the handling of stolen art and to find out more about an object’s history through our in-house Provenance Research team.
  • Register – Report the theft or loss of an artwork or valuable item to the ALR database for registration on the database.
  • Recover – We help lost items of art to be reunited with their owners through the ALR database and our specialist Recoveries team.

You can find out more about each of these services on their respective pages, and other areas of the ALR below.

You can keep up to date with the latest news and articles on our dedicated News page, or follow us on Instagram, Twitter or Facebook.

We carry out more than 400,000 checks on items on the market each year. This is on behalf of subscribing auction houses and art fairs, as well as law enforcement, museums, dealers, banks, lenders, lawyers, art advisors, pawnbrokers and private collectors.

See also:

We work closely with police worldwide to register stolen items and inform them when those objects are located.

We are frequently consulted by governmental and intergovernmental organisations regarding policy and laws related to cultural property. Recent examples include EU Cultural Property Import Regulations, Nicosia Convention on Deliberate Destruction of Heritage and the UK’s Cultural Property (Armed Conflicts) Act. We have also been invited to address the Legal Committee of the European Parliament on the topic of Cross Border Restitution and UNODC conferences on stolen and looted cultural property.

We also work represented and acted on behalf of nation states in recovering and repatriating cultural property. Examples of repatriations undertaken by the ALR alongside international law enforcement include Italy, Bolivia, Afghanistan, Egypt, Lebanon, Algeria and India – to name a few.

Our work on behalf of law enforcement and in representing nation states is free of charge.

For more than 30 years, our team has been the world-leading private resource in recovering stolen art, antiques and collectibles. We locate about 300 objects each year, and are working on more than 150 cases at any one time. Alongside assisting law enforcement and private clients in the recovery of stolen art, we also offer dispute resolution and mediation services in art-related claims.

Many of the cases on which we work are Nazi restitution cases, where our Recovery and Provenance Research teams are able to assist claimants for Nazi looted artworks, as well as those subject to forced sales or other losses in the period 1933-45. For further information about this aspect of our work, do get in touch with us directly.

An ever-increasing part of our work is in the field of the repatriation of cultural property – particularly objects designated by the market as ‘antiquities’, ‘tribal art’ and ‘ethnographic art’. To assist law enforcement and nation states in the recovery of stolen and looted cultural property, our services to register objects reported as stolen on our database and to recover objects already located are offered free-of-charge.

Alongside the registration of objects reported as stolen or missing, we have also launched the Cultural Heritage At Risk Database (CHARD) to register objects in situ at museums, warehouses and archaeological sites, to ensure that if such items are stolen they can be identified if offered for sale. This service is offered to complement the hard work of the museum professionals and archaeologists who painstakingly record these objects in the first place, as well as those who risk their lives every day to protect them. The project hopes to assist in the protection of these objects in perpetuity by informing registrant governments, ministries, museums or archaeologists – as well as any relevant law enforcement agencies – should those objects appear on the market.

Find out more about CHARD, or get in touch directly for more information about our work in this area.

Alongside the registration of stolen and lost items, we also register objects within collections to ensure that the owner is notified whenever the object is offered for sale or a loan. We call this ‘Positive Registration’, and it is offered particularly to large public, private and corporate collections – especially those based in multiple locations or where objects are often consigned.

In addition, artworks pledged as collateral or subject to an ownership dispute can be registered on our database so that you can be informed if and when the object is offered for sale and take steps to protect that interest if necessary.

Find out more about Positive Registration, ownership interests, collateral and disputes, or contact us directly to register items under this service.

Our multinational team have backgrounds as lawyers, provenance researchers, art advisers and dealers, the police, insurers, archaeologists, art historians and in technology.


Current Opportunities

Recoveries Assistant
We are currently looking for a full-time Recoveries Assistant to start as soon as possible and join our Recoveries team in London.

As a recoveries assistant you will be part of the team that reviews art and cultural property as part of the due diligence process that we carry out for our clients. This can relate to all types of claims such as theft, looting of cultural property, colonialisation, or the result of Nazi persecution, as well as civil disputes.

The successful candidate will need to be able to work in a fast-paced, commercial environment. They will be required to analyse and assess risks relating to art and provenance, make decisions under time pressure and have the initiative to consider and review alternative sources of evidence or approaches to resolving claims.

Applications are actively sought from those outside the art world, as well as those with experience within it. The ability to synthesise relevant information to assist in the decision-making process and to communicate this internally and externally are essential. Applicants need not be able to tell a Monet from a Manet at this stage as ongoing training will be given, and you will work within the wider team under supervision where required.

For further information on the role responsibilities and candidate requirements, please see the full job advert here: The ALR is expanding its Recoveries Team – apply now! – Art Loss Register

Please submit your CV and a covering letter by email to [email protected] by COB on Friday 10th February.

Please note that applications will be being considered before this date and it is possible that the role may be offered prior to that date in the event a suitable candidate applies.

References will be followed up so please be prepared to submit these if you are successful with the application.


We also offer three-month, full-time, paid internship programmes at our office in London. We take on two interns at a time and the internships each run for the period of January-March, April-June, July-September, and October-December. One internship we offer is a general internship which focusses on art research, managing relationships with clients and office administration. The second internship programme we run has a focus on Nazi-era provenance research. For the provenance research internship, we particularly welcome applications from German-speaking candidates. Both internships are paid according to the National Minimum Wage for the duration of the internship. Applications are accepted throughout the year, please send a short cover email and CV, along with your availability, attached to [email protected]. We arrange interviews for a shortlist of candidates approximately 1-2 months before the start of each position.

Please note that we can currently only consider applicants for internships that already have the right to work in the UK.

Please see our dedicated page.

Please contact us if you have any queries regarding our services.

International Office

International Art and Antique Loss Register Limited
16 Black Friars Lane

Tel: +44 (0)20 7841 5780
Email: [email protected]

Company registered in England and Wales.
Registration Number: 02455350